We're mostly couples of that age when people start
to wonder what they've missed,
and set out to find it evenings
at Adult School. Our teacher's slim, blonde, single,
fine at snatching birdsong from air.
Amazing, really,
not to mention younger, and I notice how men
gaze at her, intense as Sharp-shinned hawks,
and consider their life lists.
What's the harm? My husband and I met so many
birds ago, when he came fresh
from the Southern California orchard
bearing the exotic names of cherries
(Bings, Vans, Jubilees, Lamberts,
Tartarians, Black Republicans),
his childhood of droughts and floods
rich in one way: His father paid him
to shoot those birds that ate the crop.
In their taxonomy, the avian kingdom
divided neatly into damned Cherry Eaters
and birds allowed to live.
A Cherry Eater chirped, and he ran to the orchard.
He plugged thousands at a nickel apiece,
bounty hunter, .22 slung
where now he hefts a spotting scope and aims
at nothing more than magnification.
No wonder he impresses her, birding
by ear, until that day when he admits his crimes.
She begins to list some species, faltering
when she reaches her favorite — Not
Western Tanagers? He nods, my George Washington
who couldn't tell a lie. My Audubon
who slaughtered anything it took
to paint a more perfect feather. Audubon
could be forgiven because of the beauty
he made visible,
the way I see beauty in my husband's need
to tell a sometimes awkward truth.
Our teacher, though,
responds with silence, and her eyes dart
to her feet, as if someone's dropped
a sack of a tiny corpses.
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About Susan Cohen
Susan Cohen’s first full-length book of poems is Throat Singing (WordTech; 2012). Her recent poetry honors include the Rita Dove Poetry Award, an Atlanta Review International Publication Prize, the Anderbo Poetry Prize, and honorable mentions from River Styx and the Beyond Baroque Literary Arts Center. Her poems have appeared in Greensboro Review, Nimrod, Poetry International, Southern Humanities Review, Southern Poetry Review, and many other journals. Formerly a journalism professor at UC Berkeley and a contributing writer to the Washington Post Magazine, she co-authored Normal at Any Cost; Tall Girls, Short Boys, and the Medical Industry’s Quest to Manipulate Height (Tarcher/Penguin; 2009), which won awards from the Fund for Investigative Journalism and the National Association of Science Writers. She lives in Berkeley, and is earning an MFA in poetry from Pacific University in Oregon.
4 Comments
This poem dances well between the themes of missed opportunity and death. It intigued me like an aviary set up within a mortuary might. Susan’s ‘Birdsong by Ear’ verses scintillate.
That last line and image is wonderful, as is the entire poem. I like its rhythm, partly gliding, partly flitting.
Excellent piece. I loved the tension, and the rhythm.
As well as the juxtaposition of the ages, both the husband and the teacher, and the husband and the younger self.
Nicely done!
Awesome, lovely poem! I definitely want to read more work by Susan Cohen!